It is an
iconic advert that stays with you well after it’s not on TV anymore, simply because
of the simplicity of the adverts’ visuals. There is something satisfying about falling
objects, something about physics; objects shedding energy to be at a resting
state by giving in to gravity (Thanks Brian Cox, Wonders of the Solar System!)
Much like how slinkies are delightful to watch springing down a flight of
stairs, this is an industrial level slinky, thousands and thousands of coloured
balls bouncing through the undulating hills of sunny San Francisco.
Another
idea that makes this advert appealing is the “is it real or CGI?” that
surrounds high definition TV, it’s the ultimate deception that the audience
appreciates, asking whether it is real or not. If real, how impressive, they
got that! If not, how impressive, the CGI is great!
Collectively
it looks like confetti or a flock of butterflies swarming in front of the
backgrounds that almost become the focus of the foreground, houses, water
pipes, parked cars. It is visually aesthetic, lots of one thing, brightly
coloured, appeals to some part of the brain where sheer overwhelming numbers
make you happy, much like collections of many of one thing.
The
music is acoustic and calm and could be seen as the opposite of the frenetic
energy of the bouncing balls; however it lends the piece a calming tone. The
ending statement “Like no other” is hyperbolic and brave, a statement that tops
all else, Sony is able to dismiss all competition with confidence.
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